Sunday, March 14, 2010

David v. Goliath

My apologies to any avid readers of my blog (read: myself).  It's been over a week since I've written to you regarding the Academy Awards.  Honestly, for the past week I've been debating whether or not I should even honor the awards show by writing a review.  I've come to the conclusion that my Oscar-season posts deserve some sort of closure; I just needed time to stop feeling sorry for the viewing public - myself included - who wasted 5 hours of their precious Sunday evening watching an awards show that was, to put it nicely, one huge yawn.

Surprisingly, the 82nd Academy Awards was the highest-rated Oscars in five years, with 41.3 million viewers.  Maybe the five additional best picture nominee slots drew viewers or perhaps it was funnymen cohosts Steve Martin and Alec Baldwin (who, with the exception of their Paranormal Activity spoof and matching Snuggies, produced lackluster laughs).  Gone was Hugh Jackman and his highly entertaining old Hollywood song-and-dance numbers and in his place stood Neil Patrick Harris (How I Met Your Mother) to open the ceremony with a poor man's version of the same routine (Harris scored delightfully as host of the Emmy and Tony Awards but fell short here).  Were ten Best Picture nominees and two comedians really enough to spike the ratings?

If you didn't see the Oscars here's what you missed.  Nothing.  Seriously, here's what you missed: A touching tribute to the late, great director John Hughes (The Breakfast Club, Sixteen Candles, Home Alone, etc.).  A strange salute to horror films.  Ben Stiller presenting in Avatar getup.  Farrah Fawcett's memorial montage snub.  Best Documentary Short producer, Elinor Burkett pulling a Kanye West to director Roger Ross Williams who won for Music by Prudence.  The first African-American, Geoffrey Fletcher (Precious), winning a statue for screenwriting.  The first woman, Kathryn Bigelow (The Hurt Locker), taking home the gold for Best Director.  The lowest-grossing film ever to be named Best Picture ($21 million worldwide) knocking the highest-grossing film of all time ($2.6 billion) to the ground.  YAWN.  

Ok, I guess the making of history will go down in the books, but I was still unimpressed.  Apparently, according to Entertainment Weekly magazine, so were the guests of honor themselves: "There were times during the ceremony when even some of the nominees seemed to be struggling to stay focused.  A number of them, especially the ones who had lost, spent the bulk of the evening at the bar in the theatre lobby, watching the show on the monitors. 'We're done,' Matt Damon told EW, laughing."  Well, Matt, I can't say that I blame you.  If I hadn't been foolish enough to give up alcohol for Lent, I would've spent my entire evening at the bar too, just as a way to keep myself entertained.

So why were the ratings up this year?  My guess?  The David and Goliath story of The Hurt Locker v. Avatar was probably why people tuned in to watch the 2010 Oscars.  The same reason they tuned in to watch in 1998 when the biggest blockbuster of the year, Titanic, won Best Picture.  The audience wanted to see history repeat itself.  And they were disappointed.  They paid $15 to put on a pair of 3D glasses and spend 3 hours on the moonscape of Pandora versus seeing yet another Iraq war drama and the special-effects extravaganza didn't even win Best Picture.  What gives??  My guess?  The new voting system for ten nominees.  In the past, when only five Best Picture nominees were slotted, Oscar voters had only one vote for their favorite film.  With ten nominees, voters numbered all contenders in order of preference.  From there, all first place choices were counted and if no picture earned 51% of the votes, the second choice is looked at, then the third, and so on until one film has earned 51%.  In other words, The Hurt Locker may not have been voters' first choice, however, it received 51% of the votes so it was named Best Picture.  I don't think it's pushing the envelope to say that the Academy's rule change was not universally favored by Academy voters or the viewing public.

Oscar producer, Adam Shankman, was quoted as saying, "I think everything just conspired to make a good evening of television."  I whole-heartily disagree with you, Mr. Shankman.  That was quite possibly the dullest, dreariest, mind-numbing, most predictable Academy Awards I have ever seen.  Yes, even more tiresome than the year Lord of the Rings made a clean sweep in 2003.

Congratulations are in order to my favorite wins: Up for Animated Feature and The Cove for Documentary Feature.  And I'll leave you with one final thought:  If I had a nickel for every time I saw a celebrity chewing gum on the red carpet pre-show, I would be a rich woman.  Just saying.

Dear Academy of Motion Picture Arts and Sciences, Please do better next year.  Yours truly, Amateur Critic.

Wednesday, March 3, 2010

An Amateur's Oscar Picks

The best thing about turning 17 years old?  I was finally able to see R-rated films without parental supervision.  For most 16 going on 17 year olds, seeing R-rated films legally was like turning 21 and finally being able to drink... legally.  They had been blessed early on with the ability to purchase a ticket for Men in Black II and guiltlessly sneak into Gangs of New York.  I was not blessed with this ability.  Fear kept me from tagging along with the other brave souls of my age.  Not fear of getting caught and kicked out of the cinema but rather the all-consuming fear of total embarrassment when I had to explain to my friends just how my mother would end my life if she found out I saw Happy Gilmore without her knowledge.  And every spring, that fear would turn into unbearable, gut-wrenching pain on Oscar's biggest night... the Academy Awards.  

With the exception of 1992 when Beauty and the Beast was nominated for Best Picture (the first animated film to be nominated in a Best Picture category), most Best Picture nominees were R-rated films.  Since Oscar season is a season I look forward to with breathless anticipation (ok, it's not really a season but it should be... spring, summer, fall, winter, Oscar), not being "of age" to see the nominees I so desperately needed to see in order to properly fill out my ballot nearly killed me... until 2002 when I turned 17.

Since Academy Awards 20o2 when A Beautiful Mind took home the golden statue for Best Picture, I am proud to say that my Oscar predictions exceed my amateur critic status as I have been legally and loyally enjoying (or despising) every nominated film for the past (almost) decade.  

So without further ado, here are my 82nd Annual Academy Awards predictions:

BEST PICTURE
Avatar
*Avatar deserves this win, however, wouldn't it make for an entertaining awards night if a low-budget film like The Hurt Locker took home the Oscar in this category over the highest-grossing film of all time?  Indeed!

BEST ACTOR
Jeff Bridges (Crazy Heart)

BEST SUPPORTING ACTOR
Christoph Waltz (Inglourious Basterds)

BEST ACTRESS
Sandra Bullock (The Blind Side)

BEST SUPPORTING ACTRESS
Mo'Nique (Precious)

BEST DIRECTOR
Kathryn Bigelow (The Hurt Locker)
*Even though I think James Cameron should win for his ground-breaking technology, my vote goes to Bigelow who picked up a Director's Guild award for her war drama in January and is the clear favorite to become the first female winner ever in this category!

ORIGINAL SCREENPLAY
Quentin Tarantino (Inglourious Basterds)

ADAPTED SCREENPLAY
Jason Reitman & Sheldon Turner (Up in the Air)

FOREIGN LANGUAGE FILM
The White Ribbon (Germany)

CINEMATOGRAPHY
The Hurt Locker

VISUAL EFFECTS
Avatar

SOUND MIXING
Avatar

SOUND EDITING
Avatar
*With the exception of last year, Sound Mixing and Sound Editing awards are usually given to the same recipient.

LIVE ACTION SHORT FILM
The New Tenants
*With its Tarantinoesque banter, I think it might have an edge over Kavi, a story about a boy born into slavery in modern India.

MAKEUP
Star Trek

FILM EDITING
The Hurt Locker

DOCUMENTARY SHORT
Music by Prudence
*A story about a disabled singer from Zimbabwe is a clear winner over other nominees such as The Last Truck, about a GM plant in Ohio.

ORIGINAL SONG
"The Weary Kind" (Theme from Crazy Heart), music and lyrics by Ryan Bingham and T Bone Burnett

ORIGINAL SCORE
Avatar, music by James Horner
*An apology to my sister for this one.  Allison, I know Ann Marie Calhoun, the violinist in the Sherlock Holmes score, is one of your artists but I think James Horner will take home the gold for this category since he took home the prize for Titanic, his last James Cameron collaboration.

COSTUME DESIGN
The Young Victoria

DOCUMENTARY FEATURE
The Cove
*If The Cove moved Academy members like it moved me (I bought a "Save Japanese Dolphins" bracelet after seeing this doc!), then it's a sure winner.

ANIMATED FEATURE
Up

ANIMATED SHORT
A Matter of Loaf and Death
*Four-time winner Nick Park is a safe bet for his new Wallace & Gromit claymation.

ART DIRECTION
Avatar

Well, there you have it folks!  The Amateur Critic's picks for the 2010 Academy Awards!  So on Sunday, March 7, gather with friends and family, grab that glass of champagne to toast the winners (unless you're a moron who gave up alcohol for Lent like I did!), and tune in to watch Steve Martin & Alec Baldwin co-host the 82nd Annual Academy Awards on ABC at 5:00pm.